Anytime I'm in New York, if possible, I like to take in a Broadway show. The challenge is always "what to see?" One answer to that question is to nab a ticket to the show most likely NOT making its way to "Broadway in Detroit." I figured the ambitious, high-flying theatrics of the oft-maligned Spider-Man show meant it has to stay in New York. So last night I found myself in a unique solo seat (see POV of photo) where Spider-Man flew right past me throughout the show. As to my review: first off the show stays true to the film. At times it is dazzling. At times I was disconnected. As a U2 fan the music is true U2 guitar-led power. The best example being "Rise Above." I just kept expecting to hear Bono's voice and passion. As to most Broadway shows there's often one character who steals the show. Patrick Page as Dr. Norman Osborn aka the Green Goblin did just that. He was funny, powerful, played with the audience and flat-out seemed to be having fun on stage. And for all of the Spider-Men flying around the theatre, it was the crazy green guy who stuck with me. The New York Times said something like, "at least the show isn't an unmitigated disaster, it's just a complete bore." I don't agree. SpideyonBway is a show that stretches the boundaries of a Broadway musical. I left "turn off the dark" turned on.
The production I watched years ago, had a splendid set, the image of which as stayed with me given that, along with that spider man turn off the dark tickets
ReplyDeleteof a whole secretive community of animals scurrying around going on everyday life. The play is such a gem that it is constantly perform at various location roughly the world.